PDF Ebook Schadenfreude (Alternate Cover Art Edition), by 19
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Schadenfreude (Alternate Cover Art Edition), by 19
PDF Ebook Schadenfreude (Alternate Cover Art Edition), by 19
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Erich Kass has a safe
gray life in Berlin until he is arrested
by the Gestapo for kissing another boy.
The Hell he finds in Auschwitz as the property
of Dr. Ahren Kaltherzig will destroy
everything he thinks he knows
about life and safety.
- Sales Rank: #2031304 in eBooks
- Published on: 2015-12-14
- Released on: 2015-12-14
- Format: Kindle eBook
About the Author
19 is an Aries who likes old machinery, horror movies, sushi, spaceships, goth and industrial music, shiny things, pointy things, dinosaurs, classic cars, and poisonous plants. He is quite fond of interacting with readers. www.thenineteen.net
Most helpful customer reviews
3 of 3 people found the following review helpful.
Unspeakably Beautifully Evil...
By C. M. French
Once I purchased this novel, I couldn't put it down. Going through Erich's damnation and salvation through more damnation... I felt drawn in and almost as if I were the unfortunate at the hands of the doctor.
Through vivid descriptions and harrowing dialogue, the fear and terror of Auschwitz come to life. One can almost taste the air, acrid and menacing, as Erich is escorted from transport to Selektion.
Not for the faint of heart, yet at the same time exactly for those faint of heart, 19 manages to fully engage the reader as they go from chapter to chapter in this personal nightmare all the while making characters who are believable and a world one could almost... taste.
I highly recommend this book for anyone looking to assuage their hunger for death, despair, and a way of viewing the world that is Way Outside The Box.
I am looking forward to seeing more work become available from this author.
1 of 1 people found the following review helpful.
Exquisite and Excruciating, Beautiful and Horrific
By Willow Madison
I struggled with my review for this one. I’m not alone; other reviews have said more or less the same thing. Just to be clear – I didn’t waffle on the rating at all – this is a 5 star read, no question about it. So I had to ask myself, WTF am I struggling with here? The answer was pretty simple: I wanted to make a statement. I subconsciously wanted to address anyone that would read this book’s blurb, see the setting, view the cover, and think…what…?
…Horribly of me? I can’t imagine giving less of a care than a pro on a corner learning I had 1 bj to prove my worth *snort* So, no, not that.
…To prove the value of the prose? That speaks for itself. Much like a pro on a corner, you get what you pay for. I drooled. So, no qualms there.
…To justify the controversy? Ahh…now that’s something to consider at length. Yep. That’s been my struggle.
Back to before I’d read SF, for an indulgent moment, please…I paused before reading this. I heard about it from a Goodreads friend and saw enough comments and threads on GR topics to know that I was a wet something-er-other for what it had to offer. Still, I paused.
This book isn’t my usual cuppa – male on male medical torture porn…huh. You have me at torture, but I’m more of a M/f type and I’m a virgin in the medical toyjoy field. Still…I’m game for new *shrug* So, so far so good.
But the setting – historical, WW2, concentration camp, filled with factual events and monsters…and most importantly, most controversially…all too real victims that may have very well suffered in much the same way as the fictitious characters do– is one that had me pausing still.
I braced myself to hate this book and the author with such a fury that could only come from a myopic understanding of the history. I didn’t live through those horrors, but I am well aware (personally so) of their far-reaching impact. I wouldn’t be able to live with myself if I thought that those pains were exploited in any form.
So I went into the sample with a good dose of trepidation and a solid bias. I’m not one to turn from a challenge though, even one I set for myself only. So let’s just see what this little s*** did with these atrocities, more or less were my thoughts.
That is, before I read the sample. The writing is exquisite.
Yes, this is a horrifying, excruciating, and detailed description of what is recorded as one of our greatest times of evil. Yes, there are no punches pulled with the descriptions or events. Yes, the main character, Erich, is a sheltered and fragile boy in the beginning. And yes, the medical torture porn is integral to this coming of age/sexual awakening story with sadomasochism at its heart.
I loved it. I fell in love with the writing. I fell in love with the characters. Yes, both the main characters. I fell in love with their love story. That is what this is to me. I know others balk at calling it this, but I do not.
So my struggle with a review came down to wanting to make a statement, one that others might read and decide for themselves to give this book a go. Or not. So I’ll make one:
If you need to be convinced to read this book, then don’t read it. If you need to read a book that will only make you feel good or happy, don’t read it. If you shy away from the idea that love can come in the harshest of forms and under the basest of conditions, don’t read it. If you can’t accept a good deal of ugly reality with your fiction, then don’t read it. If your erotica needs to come in the form of slap-n-tickle only, don’t read it.
***If you’re open, read it. It’s worth it. Love always is, no matter the pains.***
A final note on art.
There is a museum in Berlin that uses architecture much in the same way this book uses words. I visited it on a gloomy day, not cold, not warm, perfect really.
One side of the museum is sleek and modern, jarring with its angles of white wall expanses set at odd pitches. You see, the hallways aren’t just for moving through; they’re part of the experience. No right angles exist to make for easier steps. Set into regular spots, black cubes pull attention like highrise windows, pressing closer is the only way to see the drop. Oddities and artifacts, handwritten letters and smeared postcards, everyday items and simple belongings, this is what is inside each black cube. This and a date and place of murder. This is some of what remains of generations killed by the National Socialist Party.
Moving past the cubes, there is a massive door that is opened by a museum worker; shy danke is given in various accents, or only polite nods. Once the door is shut, the light and sound and temperature change. There is no unnatural source for these things. One small slit of an opening at the very very top is all. It’s enough. The sound is unlike anything I’ve heard before, and so familiar. Intimate and ghastly, eerie and grounded, unnerving and normal. Death cries and street noise. This is the architect’s Holocaust Tower.
I couldn’t take it. I left in a rush, angered by my earlier eager politeness with the damn door. I wanted to kick it off its hinges so it could never close again.
This book did this to me. The very realism of it informed the way I felt in equal part to the imagery 19 used in creating the fictitious. Art often brings to light that which we’d rather avoid.
1 of 1 people found the following review helpful.
Adore, adore, adore. Not at all what you might expect, I promise.
By SM Johnson
I read the paperback version of Schadenfreude with the same obsessive fascination as I read the original on-line version. There are additional scenes, and a slower, more satisfying ending. This is a book I will buy over and over - because I keep giving it away, wanting all my friends to adore it, telling them this is an amazing story.
Because it is.
Unflinching horror. Unflinching love. At times there is hardly a difference between the two.
The best book I read in 2013. And 2014. And 2015.
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